Showing posts with label taiwan. Show all posts
Showing posts with label taiwan. Show all posts

Thursday, June 8, 2023

The Viper Rooms

Calamity of Snakes (William Chang Kee, 1982)

William Chang Kee's Cat. III nasty, Calamity of Snakes (1982), puts me in an awkward spot when it comes it an honest review, as I feel both love and revulsion for it.

Events kick off when a construction crew are building an apartment complex and discover a nest of snakes (we're talking thousands here). Rather than contact the relevant authorities and face delays, they cruelly kill the snakes off with the aid of an excavator smashing them (for real). This is the revenge motive for an even greater number of snakes, led by a giant python, to exact their vengeance on the humans moving into in the new apartment complex.

Calamity of Snakes employs Irwin Allen's tried and tested formula from his nature-gone-wild and disaster movies. Prominent film subgenres movies from the seventies and early eighties. Delving further, Calamity of Snakes shares much of the same DNA as the star-studded The Towering Inferno (1974); swapping fire for a serpent invasion. Thus, the clichéd introduction involving the apartment complex's occupant is ever present, before they're eventually killed off. This is where some unexpected Benny Hill style humour takes over and when a sadly small noticeable dip in pacing occurs. In a disco party scene, a snake crawls up a woman's leg and a guy predictably receives a slap because of it. Typical Saturday night for some.

If you're at all familiar with any of the Jungle horror films from the seventies and eighties; particularly of the Italian kind, then you'll be aware that real animal cruelty was very prominent in them. Calamity of Snakes is not only guilty of committing this taboo, but performs it on a mass scale. Numerous scenes show snakes being skinned alive, burnt, chopped and eaten. These scenes are both incrediby graphic and disturbing. Hard to recommend this film for this very reason, or at the very least, to advise anyone interested to tread with caution.

On a more positive note, what I totally adore about Calamity of Snakes is just how surreal it is from start to finish. There's an elderly snake master tasked with dispatching the giant python leader, which culminates in a bloody and savage martial arts battle between the pair. It's an amazing face-off and one you'll never quickly forget. Snakes gatecrashing the apartment's disco party is equal parts hilarious and down right brutal. Hundreds of snakes are thrown over the actors, and it all looks very dangerous (and possibly unsupervised). The camera doesn't shy away from the carnage that ensues - it's all very graphic detail.

Well done to the music department for borrowing a few recognisable horror film soundtracks. Goblin's Zombie makes a cameo, but Jay Chattaway's Subway Terror is used more liberally, and works effectively well in the background while snakes slither around various rooms and hallways; legitimately adding a another layer of intensity.

Calamity of Snakes is amongst the most outlandish and mean-spirited entry in the whole nature-gone-wild subgenre I've watched thus far. The animal cruelty alone stigmatises it. Definitely not a film for everyone, but the insanity of it all might be the jackpot that exploitation movie enthusiasts are craving for.

Thursday, December 8, 2022

Down with the Sickness

The Sadness (Rob Jabbaz, 2021/2022)

Feeling confident to share that I've pretty much seen what 2022's movies had to offer; or at the very least, anything that was of interest to me. Therefore, it's time to make things right by spending a bit of time discussing Rob Jabbaz's Taiwanese gorefest, The Sadness (2022) from earlier in the year. Sticklers for precise film release dates might class this as one of last year's movies, but The Sadness only made its way to most people's radars this year.

The Sadness is the type of depraved horror film that's far too brutal and sadistic for even today's mainstream horror standards. It's remarkable how a pandemic can turn the world on its head and in the case of The Sadness, it's within a blink of an eye. Its breezey pace kicks in relatively early and doesn't really let up until around the big finale. Jabbaz's film is essentially a showstopper of misanthropic nihilism and brutal depravity; seldom seen to this degree. Another example of the type of product that Hollywood won't or cant produce! What's equally amazing is that it was funded via cryptocurrency and a camgirl business. Twitch thots - take note!

The premise itself is the standard outbreak formula; which hardly makes it groundbreaking. You've seen it all before; albeit with some not so subtle allegories to COVID-19 and vaccinations. The film's young couple are your typical template, but they do thankfully become compelling enough to make the viewer feel invested in their plight throughout the progress of the film. Comic book heads are right to make comparisons to Garth Ennis' Crossed. Not meaning to come off as a contrarian, but I wasn't a fan of those ploddingly-paced, The Walking Dead style books. To its credit, Jabbaz's The Sadness condenses shocking depravity in ninety-nine minutes without having to make me wait long and that's probably a good reason why I don't mind its flawed writing so much. Delving into any further details about the film won't attract nor repel anyone since it's the type of extreme film where you just know whether this is for you or not. The Sadness is definitely for me.

Horror snobs might turn their noses at The Sadness for not fitting into the pompous category known as "elevated horror", but this was one of the most entertaining and engrossing outbreak/zombie films for your host since maybe Train to Busan (2016). Despite its faults, it really delivered in the entertainment department, and for that it get a respective nod from me, regardless.

The Sadness (Restaurant scene)
Rob Jabbaz, 2022