Tuesday, May 14, 2024

It’s Ya Boi Francis!

Confession: I haven't watched anything helmed by Francis Ford Coppola since Dracula (1992) (incidentally, my mate Larry still owes me £3.50 for the ticket). Despite a series of commercial flops, Coppola's name still carries weight, however. Not many folk can get to brag about directing The Godfather I & II (1972 - 1974), The Conversation (1974) and Apocalypse Now (1979); effectively turning him into a titan in film circles.

Megalopolis (Trailer)
Francis Ford Coppola, 2024
 

Much like Phil Tippett perservering with his decades old insanity-fest, Mad God (2022), Coppola deserves equal respect for finally turning his passion project, Megalopolis (2024), which he started working on back in the early eighties apparently, into a reality. Too early to say whether his sci-fi epic will be a winner or not, but considering the equine looking Adam Driver is starring in the film, and the trailer hasn't made me want to wretch in disgust, it looks like the film might be worth peeping.

"Smash the like button!"
Another admirable aspect about Megalopolis, is the fact that Francis Ford Coppola has set up his own YouTube page to promote his latest artistic endeavour. His sub count has jumped significantly since the release of a preview clip from a few days ago. Fingers crossed he doesn't potentially start yelling, "Please like, comment and subscribe!" or having baked in promo ads for his wine in any future uploads.

Monday, May 13, 2024

Trip to the Woods

Eyes of Fire (Avery Crounse, 1983)

Robert Eggers's The Witch (2015) is Dada Debaser's pick for the best horror film of the 2010s. Therefore, when Avery Crounse's obscure eighties folk horror, Eyes of Fire (1983) is referenced by various film buffs as an ancestral forerunner, it becomes worthy of my time. Set in the hostile American wilderness during the colonial era, Crounse's low budget effort comes across as Arthur Miller's The Crucible pollinated with David Lynch's weirdisms; in particular Twin Peaks (1990). It's equal parts a historical tale and also a surreal, trippy nightmare.

Eyes of Fire is framed around a young woman and girl at a French outpost recollecting horrific events they experienced. Kicking this off with a bungled hanging of a David Koresh style preacher, he flees with his congregation to the uncharted wilderness. Amongst this party, is Leah, one of the polygomous Reverend Will Smythe's partners, who may possess supernatural powers after the botch execution. They're all scuttled on a river boat and it's very Aquirre, Wrath of God (1972) and Apocalypse Now (1979) here as events gets much darker for them. They not only have to contend with the indigenious Shawnee tribepeople and French settlers, but also the great unknown. Also in pursuit of Smythe's congregation, is the cuckholded Marion Dalton, the husband of one of Smythe's lovers.


In terms of presentation, Eyes of Fire does its best with its obvious low budgetthere are some surprisingly eye catching sequences, like the tree of feathers scene. The cast are relatively unknown, apart from Will Hare, who played the scary grandfather in Silent Night, Deadly Night (1984).  I suppose the biggest name is the actor Rob Paulsen being the voice behind many famous creations. The fact that it looks like some made for television historical play at times, makes the film even more trippy when the weird video effects occur and the batshit surrealism takes over, like the naked spirits prancing about and the strikingly creepy woodland witch emerging from her peat domain are definitely not made for TV, however.

The similarities to The Witch are obviously there — the plot set-up and it's historical setting are the obvious examples. Is it as good as Robert Eggers's modern classic, however? Absolutely not, but it's a very good film all the same. In terms of its existence, it feels like a strange anolomy, due to being such a obscurity, even for horror film afficionados. Therefore, I'm very thankful a film that I was mostly oblvious about for so long actually exists.

Not knowing about Eyes of Fire until only a few years ago, when it was announced as part of Severin's grandiose folk horror boxset, All the Haunts Be Ours: A Compendium of Folk Horror, this was one of the titles that instantly made it onto my watchlist when seeing the trailer. That set is still far too expensive for my liking, but fortunately, the film in question is currently free to watch on Plex (which is even how I managed to see it). Definitely one to cop on Blu-Ray if it's ever released on its own and more affordable. Another reason to cop the Blu-Ray is there's a longer cut of the film with the alternate title Crying Blue Sky that might be worth checking out.

Both Eyes of Fire and Spider Labyrinth (1988) are two recent examples of eighties horror films which prove there are still some unsung gems from that era. It's a refreshing experience discovering this strange oddity that feels ahead of its time.

Sunday, May 12, 2024

Roger and Out

R.I.P to the legendary producer Roger Corman. 

Other than giving many notable actors and directors their first break in commercial film, Corman also became a titanic figurehead for independent cinema. The softspoken, gentlemanly demeanour of the man were a stark contrast to the films he produced. They were wild and crazy - above all, they were cheap. He was king of the film hustle and played it all the way into his nineties.

Corman dipped his toes in various genres, but his Edgar Poe adaptations, starring the iconic Vincent Price, were especially appealing as their gorgeous aesthetics and fantastic atmosphere were like catnip for gothic horror fans like myself. Amongst them, Corman actually directed a personal favourite of mine The Masque of the Red Death (1964) which could have passed as a demented Powell & Pressburger film, thanks to Nicolas Roeg's fantastic cinematography.

With close to five hundered films linked to him, I doubt anyone has even seen all of them. Two of his productions, Targets (1968) and The Lady in Red (1979) were major discoveries for this blog last year, so chances are strong that another Corman gem will find its way here.

Corman's World: Exploits of a Hollywood Rebel
Alex Stapleton, 2011
 

Highly recommend Alex Stapleton's documentary Corman's World: Exploits of a Hollywood Rebel (2011). It's a breezy and entertaining retrospective on the man and his films. Biggest highlights being Allan Arkush and Joe Dante looking like a couple of denim clad nerds when they were young, and Jack Nicholson sobbing near the end of the film.

Monday, May 6, 2024

Sgt. Howie Didn't Bagpuss

The Wicker Man (Sacrifice Scene)
Robin Hardy, 1973
 

That recent trailer for the upcoming documentary on Christopher Lee is a seasonal reminder on the existence of Robin Hardy's cult classic, folk horror The Wicker Man (1973). Unlike Brian De Palma's The Phantom of the Paradise (1974) or the ridiculously overrated The Rocky Horror Picture Show (1975), The Wicker Man is the only horror musical I can watch without being annoyed by the singing.

As a child of the seventies, there's a good reason that might explain why The Wicker Man succeeds where those films fail, and the answer comes from the kids' television series Bagpuss (1974). I'm betting Oliver Postgate, the creator of Bagpuss, had just finished watching The Wicker Man at his local cinema (we didn't have multiplexes back then) and liked the folksy and creepy music so much, he implemented it in his show. Mind blown that the song the mice sing whenever their beavering away repairing or cleaning the latest item that finds its way into Emily's shop of lost items, originates from the centuries old Sumer Is Icumen In, the chilling song at the end of The Wicker Man.

John Fulkner & Sandra Kerr - Mouse Round (Mending Song)
Bagpuss: The Songs and Music Album, 1999

How tragic that Edward Edward's Sergeant Howie, the God fearing, virgin copper and protagonist in The Wicker Man, had succumbed to temptation and wet his police whistle with a completely gagging for it Britt Ekland writhing outside his bedroom door, might have left Summerisle alive? He wouldn't have been a virgin, hence, the ruse to sacrifice a foolish virgin wouldn't have taken place. An important lesson learned right there.