Celebrating the one hundredth anniversary of one of the most influential films of all time, is worthy of a dedicated post here at Dada Debaser. F. W. Murnau's 1922 German Expressionist film Nosferatu – Eine Symphonie des Grauens, or to English language heads, Nosferatu: A Symphony of Horror (commonly abridged to just Nosferatu), cemented its legacy in the annals of cinema as one of the greatest horror films of all time.
Won't even bother going into regurgiating details of its origin, production woes, or its legal problems with the Bram Stoker estate, but it's worth mentioning that its obvious deviation from the Dracula novel, made it a uniquely iconic entity in its own right. Also, the documented interest in occultism by its producer Albin Grau, was evident in many of the film's visual details, such as Hutter's contract papers. The ghoulish undead visage of Count Graf Orlok, played by Max Schreck has ingrained itself into popular culture since it first made its presence known exactly one hundred years ago this very day. You could travel into the deepest heart of the Amazonian Rain Forest, stumble upon the remotest tribe there, play a scene from the film on your phone, and they would probably successfully identify it as Nosferatu while tucking into some long pig. That's how recognisable it is.
On a personal tip, Nosferatu was perhaps the earliest film throughout the history of cinema that I actively sought out to watch from beyond my timeline and became my first foray into German Expressionism, without some pretentious film scholar demanding it. It wasn't just the grand daddy of vampiric horror, it was the very ancestor of an entire movie genre. It was the common element that bridged the gap between serious 'kino' *yawn* heads and horror fans like myself.
Happy Birthday, Nosferatu!
4 comments:
Pull the other one, m8 - you know the lass who sparked your flame for goth birds was Dannii Minogue in Home & Away 😆 (it was for me anyway.)
Can never decide whether I prefer vampire Adjani or bohemian Deidre Barlow Adjani.
Adjani or Elvira were probably my earliest goth babes. Was a fan of Siobhan Fahey's goth get up in Shakespeare's Sister and Doom Generation's Rose McGowan in the 90s. The Boof in the 00s and onwards.
Always preferred Kylie and Natalie over Danni Minogue, but she was hot AF in that All I Wanna Do video, though.
Good point on Elvira.
Related: you see this? Forgot old O.G's Nosferatu's name was Graf Orlok. Sounds like he could be signed to Anticon.
Seen most of the films on that list. That Netflix/BBC miniseries was terrible, though.
Not seen it yet, but I receieved Dracula Sucks a couple of days ago.
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