The Platform (Galder Gaztelu-Urrutia, 2019) Occasionally, a film which has been on my radar winds up disappearing like  Malaysia Airlines Fl...

Tesis (Alejandro Amenábar, 1996) Video cassettes spawned a new way in how we watched films. Gone was the ritualistic process of having to fi...

The Descent (Neil Marshall, 2005) The first real sign of a British horror renaissance came with Neil Marshall's action horror comedy Dog...

The Demon (Brunello Rondi, 1963) Alarm bells tend to ring for me whenever a film is labelled as neorealism. There's nothing remotely rea...

Cure (Kiyoshi Kurosawa, 1997) The success of Jonathan Demme's The Silence of the Lambs (1991) set off a particular wave of psychologica...

The Appointment (Lindsey C. Vickers, 1981) Imagine if the same dreamlike and ominous atmosphere which permeated Picnic at Hanging Rock (197...