Genuinely thought I was hearing Dario Argento's prog band mates, Goblin the first time I watched Inferno (1980); the second film in his Three Mothers trilogy. It turned out to be one third of Emerson, Lake & Palmer - Keith Emerson. Same ball park, innit?
If you heard Goblin's prior soundtracks, particularly Suspiria (1977) and Buio Omega (1979), it's an easy mistake to make, in my opinion. That isn't a slight on Keith Emerson's Inferno score, as they're excellent, but on account of them sounding so remarkably similar. The track Mater Tanebrarum might be the best example with how well Emerson's carries on from Goblin's sound at the time.
Incidentally, both Taxi Ride Rome and the Suspiria theme are both featured in phantasmagorically beautiful scenes involving a dreamlike taxi ride.
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